Media images of
mental distress
GREG PHILO, JENNY SECKER, STEVE PLATT, LESLEY
HENDERSON, GREG McLAUGHLIN and JOCELYN BURNSIDE
From Heller, T., Reynolds, J., Gomm, R., Muston, R.,
& Pattison, S. (Eds) (1996) Mental Health Matters: A Reader, London: Macmillan/OUP
ps 163-170
This article reports on the findings of research on
the media coverage of mental illness conducted by the Glasgow University Media
Group and the Health Education Board for Scotland. The research used content analysis and an
audience response study. This extract
from the article begins with a description of the methods used.
Methods
Content analysis
The
sample for the content analysis comprised a range of local Scottish and
national media output for the month of April 1993, including factual and
fictional formats aimed at both adults and children. Factual formats included news items, comment
and analysis in the press; news and current affairs programmes on television;
and feature items, medical columns and problem pages in magazines. Fictional formats on television included soap
operas, single dramas and films. In the
press and magazines they included short stories and comic strips. In some cases, for example when soap opera
story lines ran before or after the sample period, it was necessary to record
material from outwith the period.
Otherwise relevant output was recorded and/ or stored for a month.
The
purpose of the content analysis was to reveal the dominant messages about
mental health issues presented across the range of media examined.
For
the initial stage of our study we established a general profile of media
content examining the focus of news items, magazine features and story lines in
fictional drama (including soap operas).
For this initial profile, each of these was counted as a single
item. Such profiles give a sense of the
main areas of media interest and the general contours within which the coverage
is grouped. In the second phase of the
content analysis we engaged in a detailed examination of individual texts. This method of analysis had three dimensions:
(1) explanatory
or interpretative themes were identified:
(2) the way in
which each theme was developed in its specific context was examined;
(3) the
frequency with which different themes appeared and their relative power in
terms of the size of audience they can be expected to reach were assessed.
The audience
reception study
The
sample for the audience reception study consisted of seven groups with an
average of ten people participating in each.
A total of 70 people took part.
Six of the groups comprised a general sample drawn from the west of
Scotland and structured to be broadly representative of the area. The other group consisted of seven people who
had used psychiatric services and who were working in a computer skills
training programme in Edinburgh.
The
sample was not large enough to make generalisations about the whole Scottish
population. Instead, the intention was
to explore the process by which media accounts are interpreted and contribute
to the formation of beliefs. For this
reason an effort was made to work with people in naturally occurring units, for
example a family, couples living in the same housing block, or a group of
people who worked together, in order to preserve elements of the social context
within which people might read newspapers, watch television programmes, and
discuss the issues raised.
The
methods we used to examine the audience sample's beliefs involved three phases:
(1) A series of exercises involving sub-groups of two
or three people: each sub-group was asked to write news reports prompted by
copies of the original headlines; those who watched Coronation Street were also asked to write dialogue for an episode
of the programme prompted by still photographs.
(2) Individual
group members were asked to write answers to a series of nine open
questions. Two questions related to the
content of the exercises, while the others were intended to enable respondents
to express beliefs about mental illness and to indicate where their ideas had
come from.
(3) Individual
in-depth interviews designed to explore respondents' answers to the written
questions.
Findings
Content analysis
The
survey of media output yielded a total of 562 items relating to mental
health. Five main categories of coverage
emerged from the content analysis: violence to others; sympathetic coverage:
harm to self; 'comic' images; and criticisms of accepted definitions of mental illness. Table 1 shows the distribution of the 562
items across these five categories.
TABLE 1 Media coverage of mental health/illness, April
1993
Number Percentage of
Output category of items total items
Violence to
others 373 66
Sympathetic
coverage 102 18
Harm to self 71 13
'Comic'
images 12 2
Criticism of
accepted definitions of mental illness 4 1
Total 562 100
Similar
themes emerged from the fictional accounts in this category. For example, in films shown on television,
Richard Dreyfus pursued a 'crazed killer' (Stakeout,
ITV, 27 April), while Kurt Russell played a reporter involved with a
'psycho killer' (The Mean Season, BBC1,
30 April). In forging the link with
violence, films of this genre also linked mental illness with the notion of
'split personality', and this theme was reproduced during the sample period by
most of the main soap operas. From early
1993, for example, Coronation Street developed
a story line concerning an angelic-looking nurse, 'Carmel', who was portrayed
at first as a 'fresh-faced, home-loving Irish girl'. In later episodes, however, it emerged that
behind this angelic front lurked an intensely manipulative character who would
clearly stop at nothing to win the married man with whom she had become
obsessed.
Such
items linking violence and mental illness outweighed the second most common
category, sympathetic coverage, by a ratio of almost four to one. Even these figures exaggerate the relative
coverage of the two categories, because items portraying violence tended to be
given a high profile, whereas sympathetic coverage was largely confined to
back-page material in newspapers and magazines such as problem pages and health
columns. Unsurprisingly, given its
origin, the content of this coverage revolved mainly around the theme of how to
'cope' with mental health problems.
The majority
of items in the third most common category, harm to self, were non-fictional
reports of suicides or attempted suicides.
For the most part these reports portrayed the events concerned as
tragedies by focusing on their human context of depression and anxiety. For example, The Sun reported the death of a
model under the headline, 'Death Leap a Cry for Help' (4 April), and the death
of a Conservative Party worker was reported by the Daily Record under 'Secret Pain of Suicide Tory' (8 April).
In
some cases, however, reports of suicides and attempted suicides emphasised a
'bizarre' aspect of the events described.
Extensive coverage of this sort was given, for example, to the story of
a man who had apparently jumped from a high-rise block and survived by landing
on a car: 'Nissan impressed as man falls 200 ft' (The Guardian, 3 April). In
similar vein, some newspapers focused on sexual angles which could be linked to
suicides: 'Suicide of Sex Slave Nutter' (Sunday
Sport, 24 April); 'Tragic Patient had Sex Fantasy' (The Sun, 20 April).
Audience
reception study
In
writing their own stories under the headlines they were given for the first
media exercise, the audience groups demonstrated a remarkable ability to
reproduce the style and language of the popular press. The first headline they were given related to
a story, later proved to be completely untrue, about an arson attack on a young
boy. Most of the stories produced in response
to this headline included phrases like 'evil maniac', and many stories also
made clear the fears which such a report can generate. This passage was written by three women whose
agreement with the sentiments it expresses became apparent as they worked on
it: 'Police are today looking for the evil maniac who tried to disfigure this
innocent child. What kind of world do we
live in when a child can't even be allowed to play in the street?' In response
to a written question about the original story, 18 people stated that they
remembered it, but only nine of them knew that it had proved to be untrue.
A
very different note was sounded by a second headline relating to a man who had
spent 33 years in hospital before receiving his Diploma in Education. The stories written by the audience groups
reflected the more upbeat tone of this report, again in terms which closely
paralleled the themes of the original.
Some stories also developed other themes relating to mental illness and
community care. Although these were not
contained in the original, they clearly derived from other media accounts.
The
second exercise, involving writing dialogue prompted by stills from Coronation Street's 'Carmel' story
line, produced a dramatic response: as soon as the pictures were shown there
were murmurs of recognition and animosity.
Although they were given no information at all about the plot and had to
work entirely from photographs, some group members were extremely accurate in
their reproduction of the dialogue. For
example, a key moment occurs when 'Carmel' is put out of the house by another character,
'Sally', and this scene recurred in some of the audience groups' own work with
startlingly accurate dialogue.
A
question included in the second phase of the study referred to the 'Carmel'
story line and was intended to tap attitudes to people portrayed as
experiencing mental health problems.
Group members were asked: 'How would you have reacted to Carmel, if you
have been Gail?' (the wife of the man with whom Carmel was obsessed.)
Two-thirds of the people in the general sample gave replies threatening
aggression or violence. These varied
from: 'Battered her bloody mouth in', to the more genteely expressed but no
less aggressive: 'I would have been very upset and taken violent action and
chucked Carmel out of the house'.
However, nine respondents among the general sample were more sympathetic
in that they suggested obtaining medical help.
Their responses were in part related to personal experiences of mental
illness, but such experience did not always lead to a sympathetic response to
'Carmel'. The issue of how media output
can inter-relate with direct experience and other cultural factors is crucial,
and this was the focus both of the other written questions, and of the
individual interviews.
One
of the key issues explored was whether mental illness was believed to be
associated with violence. Almost
two-thirds of the people in the general sample believed this to be so, and
two-thirds of these people, or two-fifths of the whole general sample, gave the
media as the source of their beliefs. In
many cases they referred to a combination of factual and fictional
sources. These extracts from two
interviews illustrate how beliefs could be shaped through the interaction of
the two formats:
A lot of things you read in the papers and they've
been diagnosed as being schizophrenic.
These murderers - say Donald Neilson, [Dennis Nilsen?] was he no
schizophrenic? - the Yorkshire Ripper ... in Brookside that man who is the
child abuser and the wife-beater - he looks like a schizophrenic - he's like a
split personality, like two different people.
I always thought mental ill people would not be able
to do much for themselves and would
be looked after by someone, but then you get evil people like the Kray twins
who were evil, violent men who I suppose must have had some
form of mental illness to do the things they have done
to other people and seemed to enjoy it ... I seen the film - they looked like
pretty normal people but they weren't.
Most
of the people who disagreed with these views and who rejected the dominant
media message made their judgement on the basis of personal experience. In particular, the group from Edinburgh cited
their own experience and that of meeting other people diagnosed as suffering
from illnesses such as schizophrenia.
This man, for example, wrote explaining why he did not associate
schizophrenia with violence:
Some of my answers came from being depressed myself
and through this the people I came into contact with gave me more knowledge....
As a day-patient, out-patient, occupational therapy ... I met about five people
who had schizophrenia.
In
addition to the Edinburgh group, a third of the general sample cited personal
or other direct experience as the key factor informing their rejection of the
dominant media message. Conversely, a
smaller group of ten people also had experience of mental illness and gave this
as a reason for associating it with violence.
Such experience could then be confirmed or developed by negative media
coverage.
However,
13 people who took part in the study had non-violent experience of mental
illness which was apparently overlaid by media influences. A striking illustration was given by a young
woman who lived near a psychiatric hospital.
She wrote that she had worked there at a jumble sale and mixed with
patients. Yet she associated mental
illness with violence and wrote of 'split/double personalities'. She went on to say:
The actual people I met weren't violent - that I think
they are violent, that comes from television, from plays and things. That's the strange thing - the people were
mainly geriatric - it wasn't the people you hear of on television. Not all of them were old, some of them were
younger. None of them were violent ~ but
I remember being scared of them, because it was a mental hospital ~ it's not a
very good attitude to have but it is the way things come across on TV, and
films - you know, mental axe murderers and plays and things - the people I met
weren't like that, but that is what I associate them with.
Discussion
The relationship
between different media messages, our beliefs and personal experience is
extremely complex. Although there is
little doubt that the mass media can exert great influence over audiences,
people are not simply blank slates on which its messages are written. The media exist within developing social
cultures. They do not create the whole
social world or how we think about it.
On the other hand, they are certainly ve important sources of
information and can generate strong emotional responses in their viewers and
readers. The study reported here was
small in scale, but the findings suggest that the media can play a significant
role not only in informing the public, but also in fuelling beliefs which
contribute to the stigmatisation of mental illness.
The
potential for informing the public is illustrated by the accuracy with which
our audience sample were able to reproduce and develop media stories with only
minimal prompts. News reports and
'factual' programmes are only one part of the development of such social
consciousness, but they do appear to have a significant influence.
As a
corollary, however, the potential for misinformation is also great. At one level, responses to questions about
the 'fire maniac' story illustrate how a completely false account can enter
into the public store of memories and beliefs.
At another, more subtle, level the use of loaded terms like 'madman' or
'maniac' to describe violent criminals suggests an association with mental
illness which recent research in the United States indicates is minimal
(Monahon, 1992). That this medium has
the capacity to produce intense affective responses within its audience and to
direct these against certain characters or types of behaviour is illustrated by
our sample's response to writing dialogue prompted by stills from the 'Carmel'
story line. The ability to reproduce
dialogue and the intensity of response to the story were both sustained by
group members over long periods of time, suggesting that the impact of this
particular message was very strong. That
the portrayal of a 'disturbed' woman should have provoked such a violent
response in this 'normal' sample is not without irony.
In
some respects, our findings in relation to the interaction of this media output
linking mental illness with violence and other influences on beliefs confirm
those of previous research in other areas, that personal experience, where it
exists, is a much stronger influence on belief than media content (Philo,
1990). But one of the most striking
findings of this study was that in several cases this pattern was reversed: in
our sample several people appeared to believe media messages in preference to
the evidence of their own eyes. Where
mental illness is concerned it seems that some media accounts can exert
exceptional power over readers and viewers.
Although
less obviously problematic, the sympathetic coverage we found also raises
questions about the image of mental illness presented. While this coverage was clearly well
intentioned, the views presented were almost always those of medical
'experts'. Although people with direct
experience of mental health problems have their own, sometimes very different
views, these were rarely represented. In
keeping with the resulting impression of a group of helpless 'victims' in need
of 'expert' advice, coverage depicting people's ability to live relatively
competent, independent lives was also very unusual. Taken together with the rarity of any
questioning of accepted definitions of mental illness, an issue which continues
to provoke intense debate (Johnstone, 1989), these findings suggest that even
'sympathetic' coverage can present a limited version of mental health issues.
References
Johnstone, L. (1989) Users and Abusers of Psychiatry London, Routledge.
Monahon, J. (1992) 'Mental disorder and violent
behaviour: perceptions and evidence', American
Psychologist, vol. 47(4), 511-521.
Philo, G. (1990)
Seeing and Believing.. the influence of television, London, Routledge.